Supergirl: A Rant

Supergirl poster.jpgSeason 1 was cheesy but interesting enough to watch.

Season 2 built on relationships and I didn’t mind it.

Season 3 started to waver for me, especially when they randomly split up Alex and Maggie for a lame reason.  Why didn’t they talk about children before they were engaged?  How could you not have that conversation?  It was a lazy fix after the actress who played Maggie decided to move on from the role.

But I kept watching.  I enjoyed Melissa Benoist playing the dual role of Kara Danvers and Supergirl and her struggle to be a hero and separate herself from her famous cousin.  I liked that they finally brought her character in the Arrowverse crossover instead of the poor attempt the previous season.  I really wanted to like the series as much as I like The Flash.*

But, season 4, what can I say?

I did like the thin metaphor of Ben Lockwood as an Alex Jones-type who is jingoistic.  But then he’s put on the backburner for the grand villain, Lex Luthor, and I couldn’t take it.  I’ve seen most of Smallville and I get Luthor’s dynamic with the Man of Steel.  It’s like Batman and the Joker.  But revealing that Lex was behind everything and making Lockwood a cog in his system undermined that metaphor in my opinion.  You find out that his “Agent Liberty” persona was his only contribution to the plan.  This organic story of a man who is changed by the world around him and grows fearful of aliens lost all of its punch and made Lockwood into a henchman.  And I get to Lex in a minute, but I want to talk positives…


I like Nia’s character and that no one really blinked when she said she was a transwoman, as it should be.  Big props to that casting and that character.  She pulled me through watching some of the more terrible story arcs.  My only fault with Nia is that Dreamer, her hero persona, was too quick a study when it came to her powers.  I would have liked a mentor relationship with Supergirl, teaching her how to be a hero and how to master her powers.  Nia has powers and then—bam—she’s a ninja with them.  I just felt that it could have grown more naturally over a longer period of time.  That said, I really love her chemistry with Brainy and that relationship.  Lately, I’ve realized that I tune into a show not for the action, but for the characters and their relationships with one another.  Which brings me to my next point: Alex’s memory wipe.

I legitimately yelled at my screen when J’onn erased her knowledge that Kara is Supergirl.  Their relationship is the key of the show.  It’s the reason Kara became Supergirl in the first place.  The wipe was dumb because you knew Alex would remember somehow by the end of the season.  Her tie with Kara shapes the show at a fundamental level.  You can’t take that away and have the same show.


Let’s talk about Alex.  I didn’t have any feeling towards Alex during the first season.  She grew on me as she evolved and became her true self.  I loved her romance with Maggie, and the way the show handled it just like a hetero romance.  Good job, writers’ room.  But her seemingly sudden need to be a mom irked me.  Again, I understand that the show writers had to cover their asses after a cast member left.  I don’t know how I would have handled it, but it didn’t feel genuine to me as a viewer.  Then, the show introduces Jimmy’s sister, Kelly Olsen (I just finished the season finale and I could not remember the character’s name, so there’s that), on the back half of season four and smashes her together with Alex like two puzzle pieces that don’t fit.  I knew when she mentioned that her former lover was a woman that they would pair them up.  It was the same formula as Maggie and Alex, as the only queer characters introduced in the show, but it was too easy of a hookup.  They gave them one intense moment to struggle through and then they are together.  As well as they handled Nia and Brainy, they dropped it for Alex and Kelly.  It was lazy writing.

Final point before we get to Lex but its related.  Red Daughter.  I was pumped for this story to unfold and it sat in the background and I nearly forgot about it.  I have never read a Superman comic, but through cultural osmosis, I know that Red Dawn was a “What If” comic about Superman going up in the Soviet Union.  So I was ready for this season to work in something about a soviet country and add that to the Lockwood/Agent Liberty storyline.  I didn’t care for Melissa’s accent, but the two facing off was a fun idea.  I was interested.  And then along comes Lex Luthor, puppet master supreme.

Lex Jon Cryer.jpg

We find out that Lex was behind pretty much everything and that Eve Teschmacher working for Lex.  Eve has been around for a least a season, because I remember the phrase “Miss Teschmacher!” being shouted.  I’ve only seen reviews of Superman the movie, but I know that’s where the character comes from.  I like how they turned her into a scientist to assist Lena on her project.  That was a good move for her character.  And the stinger at the end made me curious about next season.  But I can’t take it with Lex.


Okay, I want to talk about Lex’s discount Iron Man suit.  As far as I understand, this is something form the comics.  But it looks silly.  I couldn’t help but see a knockoff Tony Stark.  CW, hey you, don’t link your Lex Luthor to Marvel’s most popular character.  It doesn’t do you any favors.  The only time I endured Lex on screen was when he verbally sparred with his family.  But come on, Mama Luthor and Lena are great together, sniping and quipping up a storm.  Any character you add to the mix will not dilute the formula.

I didn’t know until watching a Chris Stuckmann review that Jon Cryer has previous ties to Superman, in Superman: The Quest for Peace.  He was Gene Hackman’s Lex’s nephew in that dud of a film.

One last thing, and then I’ll wrap up. What the f&*k was that scene were Supergirl is dying, practically dead, and she pulls the sunlight from the plants around here??!?!?  I just… that’s dumb.  I know she just fought her equal and she’s dying, but it looked like something from a stupid cartoon.  I reminded me of what I struggled with in the first season: the power of hope.  I know Supergirl/Kara is an optimist sort of person and that’s what the Supers are all about—Truth, Justice, and the America Way—but it verges on ridiculous most of the time and just plain cheesy at some points.  It doesn’t work with the America of 2019, even on Earth 36.


So I don’t know if I’ll continue watching Supergirl when it returns in the fall.  It has tested my patience and I have been beaten down by it too many times.  But maybe my interest in the Arrowverse is my kryptonite.  I do want to check out the crossover episodes.  Only time will tell.


*Side note: A little background info for the reader.  I have watched every season of The Flash, it’s when I jumped onboard the Arrowverse.  I began season 1 of Arrow but lost interest around the halfway mark.  I love Legends of Tomorrow and really enjoy watching how that has evolved as a show.


Some Thoughts on Supernatural

I sat down to write an essay about my favorite show, Supernatural.  And then I started at a blank screen for several minutes, realizing the Herculean task I had just set myself.  How can I put into words what this show has meant to me and so many other fans?  Where do I begin?  There’s a lot of ground to cover.  This might become an ongoing series of essays, but for now, let’s start at the beginning…

Turns Spotify to classic rock station…

In 2005, a show debuted after Smallville on the WB, so I watched it because I like monsters and it might be a good show.  Over a decade later, I am still watching.  Supernatural has been a constant in my life and I’m sad to know that it will soon end.  But that will never take away what it means to me.  It is a safety blanket, a source of entertainment (and some frustration), and a link between me and every fan out there.

In the beginning, there was Sam and Dean, cruising the backroads of America in search for creatures that went bump in the night.  From these humble origins, the lore of the show added demons, angels, heaven, hell, and alternate dimensions.  But the evolution was logically, as the world of the boys expanded.  As a fan, I relish a good lore.  That’s probably what attracts me to Harry Potter and Buffy and so on.

The cast of two expanded into three, then four key characters, including an angel named Castiel and the future king of hell named Crowley.  Family, a key theme of the show, remained at the forefront as other characters populated the world of the show.  Characters like Bobby, Chunk, Charlie, Sheriff Jody, and others became family.  Actors who joined the cast could look forward to an adoring fandom; the only despised character, Metatron, might be the exception.

The show became self-aware, and I loved it for that.  It nodded at its audience all the time, including a meta episode that introduced Chuck (“Monster at the End of the Book” 4.18) and a musical episode where the boys see their lives played out in song (“Fan Fiction” 10.5).


There were two attempts to create spinoffs to Supernatural, neither of which took off.  I loved the ideas of another show set in the same world, but I don’t think it would be the same without Sam and Dean.  The look and feel of the show, the world, is only part of the show.  The relationship between Sam and Dean, and, by extension, Jared and Jensen, is the core of the show.  Their self-sacrificing ways have become a cliché of the show, but that love is the heart of it all.  What started as a search for their father—which sets the ball in motion—becomes a fight for the world and everyone in it.

These are my initial thoughts on the series, but they are far from all I have to say about Supernatural.


Favorite Television Shows

I’m struggling to write anything, so I decided to tackle an easier topic: television shows.  The following list does not include reality show-based content, which may comprise another post.  When I tried to rank my favorites, I quickly gave up for a general list instead.  I will also include a list of honorable mentions that aren’t as beloved and enjoyed by me now but did deserve a spotlight.  Keep in mind, this list is not a ranked list, but rather a chance to gush about some of my favorite shows.


Drum Roll….


Penny Dreadful (2014-2016)

This Showtime series posited a question that several low budget horror films have also asked: What if a bunch of Victorian novel villains interacted with each other?  Unlike those horror movies where the Wolfman meets Frankenstein, Penny Dreadful handled the idea with care and consideration.  The plots of the various “monsters” intertwine in interesting ways and leave the viewer wanting more.  From the novels I have read (Dorian Gray, Frankenstein, Strange Case of Jekyll and Hyde, etc.), the series kept the characters pretty close to their literary counterparts.  The biggest take away is the setting of this show.  Victorian London is shown in all its grime and glory.  The costumes are stunning.  And the cast is great.  The one actor I thought would stick out worked in the role, as he’s meant to go against the grain of Victorian London manners (I’m speaking of Josh Harnett as Ethan Chandler).  Other standouts include Eva Green as Vanessa Ives, Billie Piper as Lilly, and Rory Kinnear as John Clare, and Reeve Carney as Dorian Gray.



Supergirl (2015-)

This DC show started on CBS with—for me—a weak first season.  The characters grew and expanded once the show moved to the CW and joined the Arrow-verse lineup.  While some missed Cat Grant’s character in season two, I maintain that this was the beginning of a strong show.  I do admit that season two fell neatly into the CW mold, for better or worse.  However, the best part of the show is the relationship between Kara (Supergirl) and Alex (her adopted sister) is the heart of the show.  The show also has a strange habit of casting actors who previously played a superhero, such as the actress who starred in Supergirl movie from 1980s, both Superman and Lois Lane from Lois and Clark in the 90s, Hercules star Kevin Sorbo, and Lois Lane from Smallville.  While some are fun cameos, others are reoccurring characters, such as Kara’s adopted mother and father.  I get the gesture but…

I sometimes struggle with this show and how close it aligns itself with real world politics.  My main gripe is not the parallels—far from it—I just want the lines to be a little more blur and not so obvious.  One character in season four is clearly an Alex Jones type.  Otherwise, I’m very happy that the show is progressive, including casting a transwoman as a main character in season four.  I wish the writers’ room could get better at veiling their real-life inspirations for their plots and characters.



DC’s Legends of Tomorrow (2016-)

This show is batshit crazy and I love it.  While the first season did explore life aboard a timeship, by season four, we have puppets in the mid-season finale.  I don’t what kind of drugs they have in the writers’ room, but they are strong.  The cast is made up of side characters from other Arrow-verse shows (The Flash, Arrow), but they really get to shine in this show.  I haven’t seen much of Arrow, but you don’t need the character’s complete backstory to understand his/her motivation.  Sarah, for example, is a complex ninja warrior with a troubled past; I know there’s more to the story, but I get the basics.  The show really has fun with the concept of misfit heroes on a ship that can travel the world and the timeline.



The Flash (2014-)

This show sits somewhere between Legends and Arrow for tone.  While season one features a monster-of-the-week setup as Barry learns to master his speed force powers, the show has evolved nicely (if unevenly) over the years.  Barry has become a true hero, who has a bit of a dark side, but part of his charm is the positivity.  While the approach is very different, The Flash plays with the timeline too.  But unlike Legends, the consequences for Barry and his team are far-reaching.  The best part of recent seasons is the exploration of the multi-verse, including visiting Supergirl and world where the Nazis won WWII.



Bones (2005-2017)

While I hate most procedurals and their copy-paste formula, this series starring Emily Deschanel and David Boreanaz landed on my radar two years after it premiered in 2005.  I continued to watch the show regularly until they killed off my favorite character (Dr. Lance Sweets, in case you were wondering[*Spoilers*]).  Otherwise, I found the series interesting and I loved how the show tried to use real science terms, to the frustration of the cast.  The characters were all developed naturally, and the procedural aspect quickly moved to the background.  Each week’s case usually helped shed light on one of the main characters, giving them time to explore something, rather than just solve a case.  Over the course of several seasons, you understood these people and their motivations.  I actually felt bad when I gave up on the show, but I haven’t revisited the series.  Maybe one day I will return to the Jeffersonian Labs.



Veronica Mars (2004-2007 [film in 2014])

If you like Buffy the Vampire Slayer, you will like this show.  It has the same quick wit and surprisingly great acting.  Keep an eye out for some of the original Buffy cast, too.  Not enough is said about star Kristin Bell’s acting range.  While you may know her from The Good Place or Frozen, if you want to see her play smart, kickass character who outsmarts the bad guys and solves the case, this is the show for you.  I always recommend this series to anyone looking for a new binge-worthy show; I’m super upset that Netflix—in all their wisdom—doesn’t have this show in their roster.  If you can get your hands on this great show, please check it out.  You’ll thank me.  The cast is great, the story is compelling (although it does verge on edge of soap opera at times), and the writing is brilliant.  As a fan of well-written shows, I’ve followed creator/showrunner Rob Thomas (not the singer) throughout this career.  If you want more like this show, check out his latest venture iZombie.



Angel (1999-2004)

Well, the inclusion of this show was destined.  Although I haven’t binged the show in several years, the cast of oddball characters holds a place in my heart.  Based on the character of Angel from Buffy, the show follows the vampire with a soul as he tries to live and not die in Los Angeles.  While you shouldn’t get me started on some of the choices later in the series, the cast keeps me rooting for these characters.  Standouts include Cordelia, who evolved greatly after her time at Sunnydale High; Fred, who is sweet and sassy; and Lorne, a demon with the voice of an angel; and Wesley, another character who follows Angel from Sunnydale to LA.  I’m keeping this short because I could really fill a book with all that I have to say about this series.



iZombie (2014-)

Speaking of Rob Thomas, this is his current series and I absolutely love it.  The main character, Liv Moore, is a zombie working as a medical examiner, who takes on the personality of the brain she eats.  Rose McIver is a chameleon as she transforms into various characters; she does such a great job that I couldn’t picture anyone else in this role.  Her co-worker, Ravi, is a gem and her partner, Clive, is clueless about Liv’s true nature.  The whole cast is perfect and the writing, like Thomas’s other show, is sharp and crisp.  As a side note, my favorite brain is Liv as a grumpy old man.  Don’t worry, the gore in the show is minimal and almost comical.



Buffy the Vampire Slayer (1997-2003)

I’ll keep this short.  Great show, great cast, great writing.  I haven’t read much of the comics.  Go watch it if you somehow haven’t done so yet.



Supernatural (2005-)

I’ve been watching Jensen and Jared since this show debuted in 2005.  I remember watching season one on an old tube television, that’s how long this show has been running.  While I have taken a few breaks from Supernatural, I always find myself coming back to the show.  I even went to my first-ever fan convention this last year and it was magical.  This show is like the music you loved as a teenager, it holds a special place in your heart.  You connect it to moments in your life and couldn’t imagine not having it around.  I won’t get into if it should still be on air.  I have my nit-picks about recent seasons.  For my money, the first five season are pure gold.  I have come to appreciate music I would never otherwise listen to because of this show, including the very important song by Kansas (you know the one).  As this show becomes more popular, I find myself strangely possessive, like I found it first so get your hands off of it.  However, I did love sharing my fandom with fellow Waywards (is that the fandom name?) last November in Minneapolis.  Whatever I think about the current goings-on, this show will always be a safe bet on Netflix for me.



Firefly (2002 [film in 2005])

Much like Supernatural, I always find myself returning to this short-lived show about space cowboys.  This show managed to be wonderful in less than a season.  The movie is a great continuation of the story, as are the comics, which I have read.  These characters are not unique (many are based on Western tropes), but they are all individuals.  Much like Buffy or Supernatural, you know which character would say what time.  You know these characters and I always wish the series had continued.  I’d love to pull up a chair to the dining room table onboard Serenity and share a meal and a fight with these fine folks.




I know, I didn’t list your favorite shows.  No Game of Thrones or Orange is the New Black.  My life is too busy to take on another series, but below are some honorable mentions.  One day I will watch GoT, but until then…

The O.C.



The Good Place



The Vampire Diaries and The Originals